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Xiaomei Chen 陳小眉 Professor, Chinese Department Chair, East Asian Languages and Cultures Graduate Group Faculty, Theatre and Dance, Cultural Studies Affiliated Faculty, Comparative Literature Ph.D., Comparative Literature, Indiana University Email: xmchen@ucdavis.edu Phone: (530) 752-1209 Office: 309 Sproul Hall

Research Interests
Modern Chinese literature, drama, theater, women's literature, comparative literature, literary theory, cultural studies, and performance studies.

Education

• Ph.D. Comparative Literature, Indiana University
• M.A., English Literature, Brigham Young University
• B.A., English (equivalent), Beijing Institute of Foreign Languages

Employment

• Professor, Department of East Asian Languages and Cultures, University of California, Davis
• Associate Professor, Department of East Asian Languages and Literatures and Department of Comparative Studies, Ohio State University
• Assistant Professor, Department of East Asian Languages and Literatures and Department of Comparative Studies, Ohio State University

Books

• Acting the "Right" Part: Political Theater and Popular Drama in Contemporary China. Honolulu: University of Hawaii Press, 2002.
  ________ Abstract (in Chinese)
  ________ Description
  ________ Reviews
  ________ Table of Contents
  
• Occidentalism: A Theory of Counter-discourse in Post-Mao China. Oxford University Press, 1995.
  ________ Abstracts (in English) or (in Chinese)
  ________ Reviews
  ________ Second, revised, and expanded edition, forward by Jinhua Dai. Rowman and Littlefield, 2002.
  ________ A translation in Korean language translated by Jin-Bae Chung. Seoul, Korea (South): Kang Publish Company, 1999.
  ________ A Chinese translation. Nanjing, China: Jiangsu People's Press, forthcoming.

Edited Books:

• Columbia Anthology of Modern Chinese Drama with a Critical Introduction. New York: Columbia University Press, 2010.
• Reading the Right Text: An Anthology of Contemporary Chinese Drama with a Critical Introduction. Ed., Xiaomei Chen, University of Hawaii Press, 2003. ("A Critical Introduction")
• East of West: Cross-cultural Performance and the Staging of Difference. Eds., Claire Sponsler and Xiaomei Chen. New York: St. Martin's Press, 2001.
• Visual Culture and Memory in Modern China. A Special Issue on Visual Culture in Twentieth-century China for the journal, Modern Chinese Literature and Culture. Eds., Julia F. Andrews and Xiaomei Chen. Columbus: Ohio State University, 2001.

Translation:

• Jane Eyre, a Chinese translation with an introduction. Beijing: Beijing Foreign Languages Teaching and Research Press, 1979.

Articles and Book Chapters:

• "Worker-Peasant-Soldier Literature," Words and Their Stories: Essays on the Language of the Chinese Revolution, ed. Ban Wang. Brill: Leiden, 2011.
• "A Critical Introduction," in Columbia Anthology of Modern Chinese Drama with a Critical Introduction, ed., Xiaomei Chen. New York: Columbia University Press, 1-55, 2010.
• "Fifty Years of Staging A Founding Father: Political Theater, Dramatic History and the Question of Representation," in Representing the Past: Essays on the Historiography of Performance, eds., Thomas E. Postlewait and Charlotte Canning. Iowa City: University of Iowa Press, 309-333, 2010.
• "Six Taiping Rebellion Tragedies: Heroes, Traitors, and the Discourse of the Chinese Revolution," in Changing the Subject: Marvin Carlson and Theatre Studies, 1959- 2009, ed., Joseph Roach. Ann Arbor: University of Michigan Press, 278-300, 2009.
• "Tian Han and the Nanguo Phenomenon: Networking the Personal, Communal, and the Culture," Literary Societies in Republican China, eds., Kirk A Denton and Michel Hockx.  Lexington Books, 241-278, 2008.
• "Reflecting on the Legacy of Tian Han: "Proletarian Modernism" and its Traditional Roots." Modern Chinese Literature and Culture 18: 1 (spring, 2006), 155-215.
• "Red Maple again - Methodology and Critical Perspectives of Teaching "China" in the American Universities," Wang Ban and Zhong Xueping, eds, Teaching China in America, Nanjing: Nanjing University Press, 1-18, 2006. (又是紅楓時節--寫在旅美教學十八年之後，王斑，鐘雪萍編，美國大學裡的中國)
• "Remembering War and Revolution on the Maoist Stage," Cold War Literature: Writing the Global Conflict, ed., Andrew Hammond.  New York: Routledge, 2006, 131-145.
• "'Playing in the Dirt: Plays about Geologists and the Memories of the Cultural Revolution and the Maoist Era," China Review: A Special Issue on the Memory of the Cultural Revolution, edited by Guobin Yang and Yue-ming Bao, 65-95, 2005.
• "A Critical Introduction," Reading the Right Text: An Anthology of Contemporary Chinese Drama. Ed., Xiaomei Chen, University of Hawaii Press, 2003, 1-63
• "China Writes Back: Reading Stories of the Chinese Diaspora," a new chapter in the second edition of Occidentalizm, Rowman and Littlefield, 2002, 139-176
  
• "The Performing of Nation: Modern Spoken Drama." The Columbia Companion to Modern East Asian Literature, China volume. Ed., Kirk Denton. New York: Columbia University Press, 2002, 1-12.
• "Modern Stage in Search of a Tradition: The Dynamics of Form and Content in 1990s Chinese Theater." Asian Theater Journal 18:2 (2001): 200-221.
• "Modern Chinese Spoken Drama," The Columbia History of Chinese Literature, ed., Victor H. Mair. New York: Columbia University Press, 2001, 848-877.
• "From the Lighthouse: Growing up among Ordinary Stars in the Maoist China," Some of Us, eds., Zhong Xueping, Wang Zhen, and Bai Di. New Brunswick, N.J.: Rutgers University Press, 2001, 53-76.
• "The Making of A Revolutionary Stage: Chinese Model Theater and Western Influences," East of West Difference, eds., Claire Sponsler and Xiaomei Chen. New York: Palgrave, 2001, 125-140.
• "Wild Man Between Two Cultures," in Soul of Chaos: Critical Perspectives on Gao Xingjian, ed., Kwok-kan Tam. Hong Kong: The Chinese University of Hong Kong, 2001, 89-110.
• "Introduction" to Occidentalism. Reprinted in Postcolonialism: Critical Concepts in Literary and Cultural Studies, ed. Diana Bryden. London and New York: Routledge, 2000, vol. III, 934-961.
• "Can Tiananmen Theater Go Global? A Case of Cultural Studies from a None-Western Perspective." Poetrica (A special issue on Third World cultural Studies), eds., Kawamoto Koji and Sumie Jones. 52 (1999): 19-33.
• "Growing up with Posters in the Maoist Era," in Picturing Power in the People's Republic: Posters of the Cultural Revolution, eds., Harriet Evans and Stephanie Donald. Boulder, CO: Rowman & Littlefield Publisher, 1999, 101-122,
• "Audience, Applause, and Counter-Theater: Border-Crossing in Social Problem Plays in Post-Mao China." New Literary History 29:1 (Winter,1998): 101-120.
• "Time, Money, and Work: The Flow of Transnational Cultural Capital, in the Making of Neo-American Nationalism in Chinese American Women Writers' Autobiographies." Journal of American Studies (Seoul: Korea) 29:2 (Winter, 1997): 414-421.
• "Feminism, Countervoices, and the Utterance of Women as Dramatic Other in Post-Mao Theater." Canadian Review of Comparative Literature 24:4 (1997): 819-828.
• "A Stage of Their Own: the Problematics of Women's Theater in Post-Maoist China." The Journal of Asian Studies 56:1 (Feb. 1997): 3-25.
• "Women as Dramatic Other in the Body Politics of Post-Mao Theater," China's Perception of Peace, War, and the World, eds., Gerd Kaminski, Barbara Kreissl, and Constantine Tung. Wien: Ludwig Bolzmann Institut fur China, 1997, 160-67.
• "Reading Mother's Tale: Reconstructing Women's Space in Amy Tan and Zhang Jie." Chinese Literature: Essays, Articles, and Reviews 16 (1994): 111-32.
• "Rediscovering Ezra Pound: A Post-Postcolonial Misreading of a Western Legacy." Paideuma: A Journal Devoted to Ezra Pound Scholarship 23: 2, 3 (1994): 81-106.
• "The Occidentalist Theater in Post-Mao China: Shakespeare, Ibsen, and Brecht as Counter Others." Stanford Literature Review 10:1, 2 (1993): 143-65.
• "Occidentalism as a Counter-Discourse: He Shang in Post-Mao China." Critical Inquiry 18:4 (Summer, 1992): 686-712.
• "The Poetics of 'Misunderstanding': An Ahistorical Model of Cross-cultural Literary History." Canadian Review of Comparative Literature 19:4 (1992): 485-506.
• "A Wildman Between Two Cultures: Some Paradigmatic Remarks on 'Influence Studies." Comparative Literature Studies 29: 4 (1992): 397-417.
• "Fathers and Daughters in Early Modern Chinese Drama: On the Problematics of Feminist Discourse in Cross-Cultural Perspective." The Challenge of Cross-Cultural Perspectives. eds., Marilyn R. Waldman, Artemis Leontis, and Muge Galin. Columbus: Ohio State University Press, 205-22, 1992.
• "Misunderstanding Western Modernism: The Menglong Movement in Post-Maoist China." Representations 35 (Summer, 1991): 143-63.
• "Thomas McFarland and the Anxiety of Influence: Tradition and the Individual Talent Once Again." Nineteenth-Century Contexts 11:2 (1987): 193-205.
• "Derrida's Pharmacy: Towards A Foucauldian Reading of 'La Pharmacie de Platon.'" Works and Days: Essays in the Socio-Historical Dimensions of Literature and the Arts, 4:2 (Fall, 1986): 33-50.
• "Genre, Convention, and Society: A Reception Study of the Chinese Reportage." Yearbook of Comparative and General Literature 34 (1985): 85-105.

Honors and Awards

• New Faculty Research Grant, University of California at Davis, 2003
• Acting the Right Part by Xiaomei Chen, a finalist for the George Freedley Memorial Award for the Outstanding Book in Theater by Theater Library Association, 2004
• American Council of Learned Society, 2003
• NEH summer stipend, China, 2002
• Mellon Foreign Area Studies Fellowship, The Library of Congress, 1998
• Pacific Cultural Foundation Fellowship, Taipei, Taiwan, Republic of China, 1994
• Undergraduate Teaching and Service Award, Ohio State University, 1993
• Andrew W. Mellon Fellowship, Stanford Humanities Center, Stanford University, 1990
• Post-Doctoral Fellowship, Center for Chinese Studies, University of California at Berkeley, 1990
• Dissertation Fellowship, Indiana University, 1988
• Starr Foundation Fellowship, Indiana University, 1986
• "Outstanding Woman of 1983" of College of Humanities at Brigham Young University, 1983
• Graduate Achievement Award of Brigham Young University, 1982-83

Major Professional Services and Offices

• Chairperson of the Department of East Asian Languages and Cultures, UC Davis
• Editorial Board, Theater Survey; since 2005
• Advisory board, American Association of Chinese and Comparative Literature (elected 08)
• Advisory board, Modern Chinese Literature and Culture (since 2003; former co-editor)
• Advisory board, American Association of Chinese and Comparative Literature (since 02)
• Member of Academic Personal Committee, UC Davis (advisory of more than 700 merit and promotion cases, 2009-2009 Academic Year)

Courses Taught

• CHN 10: Modern Chinese Literature in English
• CHN 101: Chinese Film
• CHN 102: Chinese American Literature
• CHN 103: Modern Chinese Drama in English
• CHN 104: Modern Chinese Fiction in English
• CHN 109H: Popular Culture